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“I’m
always searching for a great song,” says Reid Kerr as he sits modestly
in a chair. It’s just before another show, this night in Wilmington, NC
and it’s quite likely great songs will soon be heard. Be it his originals
or wide variety of covers, Kerr strips a song to its bones with an acoustic
guitar and rich vocals. Comparisons to James Taylor come up often at his
shows; however, Kerr seems to also adhere to the solo acoustic traditions
of Bob Dylan, John Prine, and even Joni Mitchell. The 25 year-old regularly
puts together a set list which far exceeds his years. “I like to blend
a lot of styles, so the audience might hear a Dylan tune next to a jazz
standard – or a Gram Parsons country song faded into a Robert Johnson blues
piece. Really, the possibilities are endless on a given night,” says Kerr.
By keeping each live show fresh, there is also room for Kerr’s original
compositions.
With
a deep song catalog, one would suspect that Reid Kerr has been playing
for quite some time. Indeed, that is the case - he picked up the guitar
around age eight and began performing on the North Carolina coast when
he was a teenager. Since that time, Kerr has performed regularly throughout
the southeast in a wide variety of venues from festivals to theaters. These
days, he can be found gigging in the Pacific Northwest region of Bellingham,
Washington. No stranger to the stage, his performance credits include an
appearance on UNC-TV’s Carolina Calling with Arthur Smith, opening for
Edwin McCain, and a showcase on the legendary blues radio show King Biscuit
Time in Helena, Arkansas. Kerr remarks, “I’ve had some great opportunities
in the past few years. I’m always ready to see what lies down the road
and what the next gig might bring. If nothing else, at least I'm going
down the road.”